Enemies-to-lovers + Reality-show-hijinks + Christmas = OMG
The set-up is already in catnip territory for me, but this is very well executed. The protagonists’ burgeoning mutual attraction evolves naturally and credibly despite the friction their roles impose on them. The book has a large and likable supporting cast, very warm tone overall, but not treacly. Seems eminently film-able, and I found myself hoping it’s under option/in development.
I really liked that Cat and Noah are both good at their jobs, and that their jobs are believable. I like romances with well developed subplots, and the help-the-town-recover-from-the-hurricane subplot here certainly qualifies.
I got a teeny bit impatient for the protags to find their way around the final obstacle to HEA, coz the solution had a large blinking “obvious” sign for me, but they did eventually get figure it out.
Rep: major supporting character is black, queer couple walk-on
Absolutely stunning. “Ten Thousand Doors of January” uses the familiar trope of hidden doorways to another worlds to tell a story about the power of creativity to disrupt oppressive power structures (like white supremacy).
Although it has some serious things to say, it’s also terrifically entertaining, and emotionally involving, with some twists I foresaw, and some that completely blindsided me.
It’s carefully paced and intricately structured – it offers a beautifully executed book-within-book experience – and has some slippery use of narrative voice. There are also some innovative re-imaginings of events from our world, and grace notes for lovers of fantasy to find (for instance I particularly liked how E. Nesbit’s “lost” (perhaps not sadly – according to one account I found, it is likely fundamentally racist) novel “Secret of the Kyriels” is re-invented as “The Door to Kyriel”).
Both the 1920’s Mexican setting and the underpinning of Mayan myth set “Gods of Jade and Shadow” apart from the vast majority of fantasy fiction; the combination lends this novel firmly in “not like anything else I’ve ever read” territory. Even when the bones of the plot feel (appropriately!) familiar, the way it unfolds is surprising (and I didn’t know how the novel would resolve its conflicts until I got to the end).
Moreno-Garcia’s prose is rich and atmospheric; she’s particularly good at depicting the intrusion of otherworldliness into naturalistic settings.
I was a tiny bit distracted by the narrative voice, mostly third-person omniscient, it occasionally verges on an authorial “I.”
I’m impatient now for the upcoming “Mexican Gothic!”
From other reviews, this short novel seems very polarizing: A bisexual woman and and a bi-phobic lesbian negotiate a mutual attraction. I found KJ Charles’ review very helpful; he praises this book not so much for its exploration of sexual identity but for not punishing its protagonists for hookup culture or binge drinking. Perhaps because I came to it from this angle, it didn’t give me all the proverbial “feels,” but I did feel like I learned something about the perspective of a particular person who looks at the world in a very different way from me.
I also appreciated how AJ (the sole viewpoint character here) also explores how her initial realization of her bisexuality impacted the heterosexual relationship she was in at the time, and I liked that her job – an infosecurity manager – plays against gender stereotypes, and was believably described. I thought the makeover reality show subplot was fun (if a little long on coincidence).
I really enjoyed Andrea Beatriz Arango’s modernized take on “A Christmas Carol,” and I was eager to read anything else I could get my hands on, enough to read a little out of my comfort zone. And I’m glad I took a chance on this, it’s completely unlike any other supernatural-themed YA I’ve read.
The “big bad” draws on a folklore tradition that is not at all overexposed. No vamps or werewoofs here. The characters were believable, likably flawed, and oh yes, multicultural. The language is a bit saltier than a lot of the YA I’ve read, and there’s a lot of moral complexity.
Like Arango’s other story, there are a lot of fun pop culture references, and knowing a bit of Spanish won’t hurt. (One little detail I really liked, actually, is that some of the characters don’t speak Spanish, so if you don’t understand every line of dialogue, you’re sharing an experience with the character – but also, there’s always Google Translate if you need it. And I did, a few times.)
I would welcome a sequel, but I’m also happy to meet whatever other characters Arango wants to introduce me to.
The physical design of this book is fantastic. The faux-Ikea descriptions and illustrations are pitch-perfect, right up to the point they turn sinister and twisted. I enjoyed the earlier, funnier, half more than the second, but a lot of that is due to my personal preferences. I wanted the protagonists’ economic stresses to play into the horror aspect, with the Orsk organization itself being the source of the (maybe cosmic?) evil, and that’s just not how it goes. Also it had somewhat more graphic descriptions of injuries than I’m comfortable with, especially when male writers are describing women being hurt – not to a torture porn level or anything, but unpleasant for me. Still, overall, it was a hoot. How has this not been filmed?
Very sweet, brief, Latinx/FF spin on Dickens’ Christmas ghosties. My 3 years of Duolingo español was just about able to keep up (and liked being stretched). Takoma Park shout-out too, woo. Reading more Andrea Beatriz Arango for sure.
I loved Mia Sosa’s book of the same title so much that I read a bunch of reviews, looking for other readers as enthused about it as I was … and I stumbled on one that mentioned also really liking this novel.
And I did, eventually, really like this too. What won me over primarily is that it’s actively working to subvert alpha-billionaire tropes, and it’s a bit nuanced about it: Frankie doesn’t want to be swept off her feet, but it is hard to resist a nice dress; Aiden has to learn to rein in his desire to reduce Franchesca’s financial pressures. I appreciated that the depiction of the business side of Aiden & co. didn’t strain my credulity much, and I liked Frankie’s collisions with the society-column set. Also, skirting spoilers, someone’s dastardly scheme goes slightly awry in a way I found very satisfying.
Didn’t like so much: the book shifts tone quite a bit, it starts out rather madcap (no spoilers, but someone gets kidnapped), and then it gets more serious. Wasn’t sure of the book’s politics at first, with rich people partying on Barbados, and some not-entirely-convincing attempts to depict life outside the resort bubble, but by the end I felt in safe territory. It felt maybe a little long to me, too? Although I’m not sure what I would suggest cutting out.
My first from Lucy Score, but certainly won’t be the last.
A bold, creative, and FUNNY reboot. People had been sharing some of the more fourth-wall-breaking strips with me for a while on the screen-things, but sitting down with a bookful gave me a new appreciation for how solid a body of work this is.
Things I found delightful about this book, an incomplete list: vivid, credible portrayal of my hometown (made me sorry I never went to “The Grill from Ipanema” when I lived there, though); learned a bit of Portuguese; #enemiestolovers that I believed on both sides; protagonists’ careers are important to the plot/theme, and convincingly depicted; had a substantial and interesting plot in addition to the romance; made me chortle; great supporting cast; hot consent; #allthefeels.
Things I didn’t find delightful: hardly anything worth mentioning.
My first from Mia Sosa. Will not be the last!