I loved this book so much it’s hard for me to write coherently about it. The language: dense, rich, vivid musical. The premise: yes, Eurovision in space, played for laughs, but not JUST for laughs, also a glorious, delirious refutation of “rare earth” and “habitable zones,” a dizzying celebration of near-infinite diversity. A plot twist,Continue reading “Catherynne M Valente: Space Opera”
Interesting, if not always compelling, alternate Tudor history tale. sometimes felt like Jenkins was more ingested in showing off research than telling a story, but I still had some problems maintaining suspension of disbelief. Narrator Henry’s voice convinced me, but he’s a bit dry.
I thought this started out very strong, but even though its episodic, aimless nature is explicitly part of the point, I was ready for it to be over well before it was.
There’s been mess of foamy-mouthedness around the Science Fiction Writers of America association over the past couple weeks. I won’t link to the petition that jump-started it, but it basically asserts that for the the official bulletin of a professional organization to have editorial standards that avoid hostility to its constituency is an assault onContinue reading “Apology; Ann Aguirre: Wanderlust”
The handful of stories in Brody’s collection clearly have an agenda of raising consciousness of and concern about the implications of climate change. Socially or politically motivated art is tricky: it can succeed in communicating its objectives without necessarily exhibiting the general hallmarks of literary merit. In literary terms, I found Hot Mess a mixedContinue reading “Rachel Lynn Brody (ed.): Hot Mess – Speculative Fiction About Climate Change”
Farren’s “DNA Cowboys” trilogy had been on my to-read list for a long time, and I finally decided to give it a go. It’s a simultaneous homage to and send up of Burroughs-style “planetary romance,” raunchier, more overtly parodic, and much less structured than Philip José Farmer’s “World of Tiers” novels, but not entirely dissimilar.Continue reading “Mick Farren: The Quest of the DNA Cowboys, Synaptic Manhunt”
There was a lot I appreciated about Robert’s elegantly crafted Jack Glass, but I definitely didn’t think it succeeded at everything it set out to do. The middle section of the novel, for instance, offers a classically structured whodunnit and — skirting spoilers — I think Roberts is trying to get the reader so farContinue reading “Adam Roberts: Jack Glass: The Story of a Murderer”
Greg Ketter, owner of Minneapolis’ DreamHaven books describes this volume as a labor of love, and that’s evident. But its thematic focus is so narrow that it’s probably better dipped into than read straight-through: it’s a bit too easy to play spot-the-trope (haunted bookstore, haunted books, store-of-books-never-written, store-of-books-that-warp-reality), and I found the quality uneven. IContinue reading “Greg Ketter: Shelf Life: Fantastic Stories Celebrating Bookstores”
I had very ambivalent reactions to Only Superhuman. I really liked the central concept. Bennett starts with a fairly optimistic future in which, a century hence, there are hundreds of space habitats in the inner- and mid-solar system. The environment is rife with social schisms and empire/colony-ish tensions. The novelty is in Bennett postulating thatContinue reading “Christopher L. Bennett: Only Superhuman”
I think I stumbled on Johan Harstad’s 172 Hours on the Moon when I was looking for John Barnes’ Losers in Space; both novels share the plot element of young people trying to get off of Earth to boost their social standing. Aside from that, they could scarcely be more different. In the alternate historyContinue reading “Johan Harstad: 172 Hours on the Moon”