T.B. Markinson and Miranda MacLeod: Holly and Ivy

DNF. Reviewing here but not on GR coz I con’t want to be mean. I wanted to like this FF holiday-themed romance, with a chilly techie, an offseason vacation island setting, and even a part-Maine coon cat – all super on-brand for me, but the prose was just too clunky and the plot had too

Eliza Madison: Eight Naughty Nights

I really enjoyed the many “Star Wars: references and a guest appearance from my favorite feature of Milwaukee airport. Also thought the family drama and not-always-graceful coping with grief provided a nice and grounding contrast to the smutty bits.

Courtney Milan: After the Wedding

I very much appreciate how Courtney Milan inverts and subverts familiar romance tropes, and “After the Wedding” is no exception: it literally starts with a wedding, in which the principals are forced at gunpoint to marry, and their efforts to obtain an annulment, coupled with their inconveniently increasing mutual attraction, drive much of the plot.

Alyssa Cole: A Princess in Theory

When Naledi gets exaggeratedly polite emails about being a long-lost royal bride of an African nation she very reasonably assumes they’re a phishing/identity theft attempt, but it’s all true, and “A Princess in Theory” unspools like a modern take on a classic screwball comedies, with assumed identities, disastrous coincidences, palace intrigue, and even a bit

Sara Benincasa: DC Trip

liked this better after I stopped worrying about the geographical inaccuracies and just went with the full-on zany. the framing device didn’t work for me, and some of the backstory digressions seemed a bit OTT, but I did like the alternating chapters from the kids’ perspectives and the chaperones’ perspectives. sweet (if a bit raunchy)

Alexandra Potter: Me and Mr. Darcy

My parents, a scientist and a career academic, both have a fondness for Regency (i.e., historical and relatively chaste) romance novels that might seem at odds with their characters. If I remember right, on separate occasions, both described a fascination with the combinatorial aspect of the genre: all the allowed variations of the genre playing

Laura Resnick: Disappearing Nightly

I liked Disappearing Nightly, but I have a bit of trouble explaining why. It’s a light contemporary fantasy with a whodunnit flavor and a dash of romance. It partakes of several genres, and I didn’t think it succeeded particularly well at any one of them. A mystery novel, for instance, needs a bit more misdirection

Alyssa Goodnight: Austentatious

There was a lot I enjoyed about Austentatious, but also a fair bit I found problematic. The novel scored big points with me early on by dropping a reference to The Princess Bride without belaboring it with an explanation. And I enjoyed its breezy, nerd-culture-reference-spiked tone throughout. I’m generally favorably inclined toward modern spins on

Victoria Connelly: A Weekend with Mr. Darcy

Connelly has come up with a clever new tactic for reaching the surprisingly healthy market for Jane Austen-related fiction: instead of a working with Austen’s characters directly, or even in a Regency setting, she’s penned a modern day romance about Austen-obsessed characters. Connelly’s own love for Austen shines through, and there’s enough solid detail to

Lou Beach: 420 Characters

I expected that limiting the length of a short story to 420 characters — as counted by Facebook’s software, spaces and punctuation included — would come off as a gimmick rather than an artistic constraint, but this collection of a hundred and fiftyish micro-stories is pretty amazing, in several dimensions. The first thing I noticed