Karen Novak: Five Mile House

Karen Novak’s Five Mile House is unambiguously a ghost story, even a haunted house story — one of the narrative voices belongs to a ghost, and provides the novel with its arresting opening sentences: I am Eleanor, and I, like this house, am haunted. I died when I fell from this tower, that window. It

Sean Stewart: Perfect Circle

I’ve been thinking about this novel for months, and I still can’t figure out out how it feels so fresh and original, even though it’s built from such familiar components. Will Kennedy is a slightly off-the-rails underachiever who could have a bit part in almost any Richard Linklater movie without sticking out. He has the

Laurie J. Marks: Fire Logic

A curmudgeonly speculative-fiction fan I used to know had rules for avoiding crap books that went more or less like this: Nothing with swords or dragons in the title or the cover Nothing with a map of imaginary places at the front There are many counter-examples to prove the rules, and even more bad books

Martin H. Greenberg and John Helfers (eds); Slipstreams

Pretty much ever since the genres science fiction, fantasy, and horror have existed as distinct marketing categories, there have been periodic movements seeking to un-define them as such. In the 60’s there was “The New Wave.” In the 80’s some bruited about the awkward, demi-hemispherist phrase “North American magical realism.” And more recently, an unruly

Leslie What:Olympic Games

It was Leslie What’s contributions to Small Beer Press’s pretty-much-mostly slipstream zine, Lady Churchill’s Rosebud Wristlet that made me really take note of her name. Her stories for that magazine fit what I think of as the general mode of slipstream (or interstitial, or new-wave fabulist, or whatever you want to call it) fiction. My

Dianna Wynne Jones: Dark Lord of Derkholm

The central premise of Dark Lord of Derkholm seems like such a natural hook on which to hang a comic fantasy that I’m surprised it hasn’t been done to death: there’s a big market for people who want to play at being a Frodo-style hero, triumphing over fearsome evil against long odds, so generic fantasylands

Delia Sherman: Changeling

I enjoyed Delia Sherman’s young-adult fantasy Changeling quite a bit. It’s the story of Neef, who was kidnapped from the mortal world at birth to dwell in the fantastic “New York Between,” and raised as a sort of second-class citizen of Faerie. This is perhaps tired territory, but Sherman manages neat twists on some very

Justine Larbalestier: Magic Lessons

I think it would probably occur to me to compare and contrast the first two volumes of Larbalestier’s “Magic or Madness” trilogy with the first two books of Scott Westerfeld’s “Midnighters” trilogy even if I didn’t know the two authors were partners. Many novels feature teenage protagonists simultaneously blessed and cursed with special powers, but

Maureen Johnson: Devilish

Maureen Johnson’s Devilish commanded my attention as soon as I heard first of it (via Westerblog, of course). The potent combo of demonic subject matter, a Providence RI setting, and a cover that evokes one of my favorite Penelope Houston albums added up to a heaping helping of positive associations and I requested Devilish from

Michael Shea: The Incompleat Nifft

Once upon a time (in the 1940s), Mssrs deCamp and Pratt teamed up to write a series of short novels about the magical misadventures of one Harold Shea. The tales had a proto-post-modern spin to them: Shea would get transported into myths and pre-copyright stories like Spenser’s Faerie Queene. The Shea stories have an absurdly