Anna Stone: Being Hers

DNF. Reviewing here but not on GR coz I con’t want to be mean. Tried this for free via Kindle Unlimited. Wasn’t terrible, but not my bag, I only made it a couple of chapters, but that seemed enough to indicate that Ds play is too central to the plot for me.

T.B. Markinson and Miranda MacLeod: Holly and Ivy

DNF. Reviewing here but not on GR coz I con’t want to be mean. I wanted to like this FF holiday-themed romance, with a chilly techie, an offseason vacation island setting, and even a part-Maine coon cat – all super on-brand for me, but the prose was just too clunky and the plot had too

Eliza Madison: Eight Naughty Nights

I really enjoyed the many “Star Wars: references and a guest appearance from my favorite feature of Milwaukee airport. Also thought the family drama and not-always-graceful coping with grief provided a nice and grounding contrast to the smutty bits.

Catherynne M Valente: Space Opera

I loved this book so much it’s hard for me to write coherently about it. The language: dense, rich, vivid musical. The premise: yes, Eurovision in space, played for laughs, but not JUST for laughs, also a glorious, delirious refutation of “rare earth” and “habitable zones,” a dizzying celebration of near-infinite diversity. A plot twist,

Courtney Milan: After the Wedding

I very much appreciate how Courtney Milan inverts and subverts familiar romance tropes, and “After the Wedding” is no exception: it literally starts with a wedding, in which the principals are forced at gunpoint to marry, and their efforts to obtain an annulment, coupled with their inconveniently increasing mutual attraction, drive much of the plot.

Alyssa Cole: A Princess in Theory

When Naledi gets exaggeratedly polite emails about being a long-lost royal bride of an African nation she very reasonably assumes they’re a phishing/identity theft attempt, but it’s all true, and “A Princess in Theory” unspools like a modern take on a classic screwball comedies, with assumed identities, disastrous coincidences, palace intrigue, and even a bit

Leigh Jenkins: Catherine the Inquisitor

Interesting, if not always compelling, alternate Tudor history tale. sometimes felt like Jenkins was more ingested in showing off research than telling a story, but I still had some problems maintaining suspension of disbelief. Narrator Henry’s voice convinced me, but he’s a bit dry.

Steven Erikson: Willful Child

I thought this started out very strong, but even though its episodic, aimless nature is explicitly part of the point, I was ready for it to be over well before it was.

Jennifer Weiner: The Guy Not Taken

I liked this short story collection much better than “Good in Bed.”

Jonathan Howard: Carter & Lovecraft

Entertaining collision of hardboiled PI and Lovecraft ‘s Mythos, with a dash of a metaphysics/ metatextualism. Already impatient for sequel.